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"The lost twin sons of the old merchant Egeon--both named Antipholus--find themselves in Ephesus, without either one even knowing of the other's existence. Meanwhile, Egeon has arrived in search of the son he thinks is still alive--and has been sentenced to death for the "crime" of being from Syracuse. To add to the confusion, the two Antipholuses have twin servants, both named Dromio. As the four men unwittingly encounter each other, the play is...
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When Rosalind is banished by her uncle, who has usurped her father's throne, she flees to the forest of Arden where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves now a fellow exile and resolves to remain in disguise to test his feelings for her. A gloriously sunny comedy, As You Like It is an exuberant combination of concealed identities and verbal jousting, reconciliations and multiple...
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A comedy written by William Shakespeare in 1595/96. The play consists of multiple subplots that revolve around the marriage of Theseus and Hippolyta. One subplot revolves around a conflict between four Athenian lovers, one about a group of six amateur actors who have to act out their interpretation of the play 'Pyramus and Thisbe' at the wedding of Theseus and Hippolyta. These subplots take place in a forest, inhabited by fairies who control the characters...
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30-Minute Shakespeare plays three action-packed scenes from this tale of King Navarre and his three lords, who have vowed to retire from women for three years. Naturally, the Princess of France and her three ladies arrive, and comedic courtship ensues. The cutting includes the ridiculous dance of the lords disguised as Russians, the hysterical "Pageant of the Nine Worthies," and a dramatic, bittersweet ending that leaves the King and the three lords...
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Professor Evans helps the reader to visualise the stage action of Romeo and Juliet . His history of the play in the theatre is followed by a lucid commentary which alerts the reader to the difficulties of language, thought and staging. For this updated edition Thomas Moisan has added an account of the number of important professional theatre productions and the large output of scholarly criticism on the play which have appeared in recent years.
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