Margarethe von Trotta

In the period of several days, Katharina's privacy and her honor are destroyed, first by the police who terrorize her, and then by the yellow press, which creates in her name the image of a politicized Bonnie Parker.

A brilliant biopic of the influential German-Jewish philosopher and political theorist. Arendt's reporting on the 1961 trial of ex-Nazi Adolf Eichmann in The New Yorker, controversial both for her portrayal of Eichmann and the Jewish councils, introduced her now-famous concept of the 'Banality of Evil.' Using footage from the actual Eichmann trial and weaving a narrative that spans three countries, von Trotta beautifully turns the often invisible...

"On the 100th anniversary of his birth, internationally renowned director Margarethe von Trotta examines Ingmar Bergman's life and work with a circle of his closest collaborators as well as a new generation of filmmakers. This documentary presents key components of his legacy, as it retraces themes that recurred in his life and art and takes us to the places that were central to Bergman's creative achievements." --

"Creation is chaos in this dramatization of the neuroses rampant on a movie set, inspired by Fassbinder and his crew's own experiences." --