Katherine Mannheimer

"From 1642 to 1660, live theater was banned in England. The market for printed books, however--including plays--flourished. How did this period, when plays could be read but not performed, affect the way drama was written thereafter? As Katherine Mannheimer demonstrates, the plays of the following decades exhibited a distinct self-consciousness of drama's status as a singular art form that straddled both page and stage. Scholars have commented on...