Debbie Harry

Harry recounts her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie's breakup as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights.

In 1981, writer and Warhol associate Glenn O'Brien, Swiss photographer Edo Bertoglio, and Jean-Michel Basquiat, a graffiti innovator and noise music artist, hit the streets of lower Manhattan to make a movie about their bombed-out bohemia. Left incomplete due to money problems and assembled for release in 2000, the film, which follows Basquiat trying to move a painting while hustling for a place to sleep, became a window on a lost world of life on...

Harlan, an accountant, lives a repressed life with his sexually unfulfilled wife Lillian, who has her eye on the building's superintendent Larry. Harlan's obsession with catching the thief who steals sips of milk from his morning delivery ends in an act of irrational violence. In the aftermath, while Lillian and Larry make their secret plans, Harlan is overwhelmed by guilty paranoia with bizarre consequences. Set in the 1950s.

"Foreword by Debbie Harry "A Downtown Memory" by Romy Ashby Debbie Harry defined iconic band Blondie's look. Chris Stein-her performing partner, lover, and lifelong friend-was its architect and defined its sound. "Parallel Lines", their third album, catapulted to #1, sold 20 million copies, and launched singles like "Heart of Glass", "Rapture," and "One Way or Another", providing the beat when Bianca Jagger and Halston danced at Studio 54 and the...

After Alby Cutrera is kicked out by his wife, he joins his boyhood pal Elias on a nostalgic trip to Diggityland, their favorite childhood place.

A boy who is captured by a cannibal tells here three horror stories to avoid becoming her victim.

The story of Martha Graham's life and art is told through the eyes of a fictitious documentary filmmaker Barbara Rosen. Martha, notoriously camera shy in real life, reluctantly agrees to let Barbara be the first person to film her creating her new ballet Phaedra, mainly because her new dance company desperately needs money to stage her new season. Initially resistant, she slowly opens up to Barbara, inviting her into her tempestuous world, and letting...